Lisa moved to Darwin a couple of years ago and her new works have moved away from the repetitive mark making of small dots in multiple layers, or the slightly larger and looser brush marks.
Her work has developed through a systematic approach to material experimentation, researching a variety of technical approaches and methods of applying and manipulating paint. This body of work involves a process of repeatedly pouring lines of paint, from the top of the canvas to the bottom, resulting in parallel lines of vibrating colour. In a related series, also on display, Lisa has poured pools of paint that interact as random shapes on the canvas surface.
She wrote about her new work,
“I am interested in repetition and coding as alternatives to language and representation. The paintings are abstract and not abstractions; they are derived not from a re-presentation of the natural world but a presentation of the nature of a material process under controlled circumstances, the imagery is therefore intrinsic, they are paintings that aspire to an aesthetic self-sufficiency. The images are created through a series of predetermined actions, interventions or gestures, which are applied across the canvas layering transparent and opaque oil paint to create a surface that embodies a tension between material and image. The resulting rhythmic patterns are the consequence of a set of strictly imposed rules that govern the painting process.”
Lisa’s paintings can be found in many public and private collections around Australia.
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