Despite his interest in the subject of climate change Singe is quick to point out that it would be inaccurate to label his art practice as environmentally responsible.
Rather than drawing inspiration from the field of legitimate climate science, his practice is informed by the evolving culture and language that has developed in response to this looming environmental disaster. He is particularly fascinated by the DIY eco inventions that pervade the internet, the seemingly endless websites and YouTube videos that feature backyard environmental warriors espousing their low cost, labour intensive and inevitably inefficient climate change solutions. While these dubious inventions fail to provide practical environmental solutions, they offer their creators a flawed outlet for relieving the guilt of their ongoing global warming complicity.
For Fixation Mike Singe presents new works from an ongoing series of environmentally dubious carbon capture and storage drawings. Made by applying candle soot onto the drawing surface, capturing carbon that would otherwise combine with oxygen in the combustion process to form carbon dioxide, the works in this exhibition highlight the fallacy of industrial carbon fixation by linking it to Singe's own impotent attempts to overcome the environmental impact of his art practice. These drawings depict ideas around successful and perhaps not so successful adaption to the inevitable future changes in climate. An ongoing interest in the carbon enrichment process of animal respiration, particularly human respiration, also informs these drawings.
For Fixation, Singe will also premiere two works from his new series No More Free Art. Taking the form of display cabinets these works introduce pay per view capabilities by integrating coin operated mechanisms, requiring a dollar coin be inserted to facilitate a thirty second viewing of the contained artwork. While these cabinets are unlikely to be a practical revenue raising device, they challenge the viewer to consider how they financially contribute to their personal cultural consumption.
Mike Singe
August 2019
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