Jac Ball's exhibition PDA* draws from camp aesthetics and the confessional genre online to explore the pleasures and complexities of queer representation.
Their photographs use collage processes to speak to ideas of excess, repetition and self-assemblage. The images are accumulative and in parts, playful and makeshift.
These intimate and exquisitely coloured photographic works demonstrate their prowess with a camera, along with the ability to create strangely compelling images via cropping, layering and collage. Ball notes, "I use collage as both a concept and material method. Collage can be messy and appropriative, and makes reference to loss, repetition and contradiction. It can invite embellishment, haphazard narrative structures and questions of authenticity. These provisional processes reflect the everyday qualities of self-making. They also overlap with dilemmas of queer representation."
[Statement 4 September 2019].
Colour has always been an important aspect of Ball's photographic practice. It unifies the images in each series; from the intense blues of A Collection of Organised Spaces 2010; the mauves and flesh tones of Fluctuate 2013, to the purples and blues of Room Service 2015. PDA reveals a fresh new palette of colours, combining saturated blues, pinks, oranges and purples to make this her most adventurous yet. The diversity of colours is in keeping with the broader range of subjects in this exhibition, including landscape and travel photography, alongside intimate bathroom scenes. Many of the images have been manipulated, layered and collaged, others have been staged for the camera. "Many images converse with ideas of gender and queerness through non-figurative content. PDA also references camp aesthetics and humour, unapologetic performances, and celebrations of self-making in trans and non-binary self-generated imagery online." [Statement 4 September 2019]
Jac Ball is a PhD candidate at Curtin University, and has been professionally exhibiting for ten years. Significant group shows include Looking but not seeing at the Benalla Art Gallery in 2018, HERE&NOW17 at Lawrence Wilson Art Gallery UWA, New Matter: Recent forms of Photography at the Art Gallery of NSW in 2016, Invisible Genres at John Curtin Gallery in 2016, Transcendental at Galerie Pavolva in Berlin in 2014,
* prices are unframed
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