Harry Hummerston continues to be intrigued with popular culture and its symbols. In this, his eighteenth solo exhibition and third with Turner Galleries, he has simplified his forms still further.
Previous layering has given way to elegant silhouettes, cut from acrylic or materials used in building or renovating. He has obtained his images from sources as varied as Japanese Manga characters through to American military helmets. The repetition and juxtaposition of these forms give his works both power and ambiguity.
He stated that they are "a continuation of my exploration of the notion that we never really fully understand what we see. By coupling simple shapes with each other and employing strategies such as mirroring, inversion and repetition with variation, I hope to pose questions rather than proffer solutions".
The jarring nature of some of these pairings jolt us from our complacent viewing, a metaphoric 'walking Spanish' if you like, to uncomfortable conclusions or questions. Christianity is referred to in the titles of several works, such as the series of Crucifix variations and Trinity variations. Yet when the form of a cross is made from guns, or the negative area between four Astro Boys, or umbrella carrying business men with Japanese cosplay girls, we can't help but draw on our own knowledge, and our own connections to these symbols. Still more intriguing are the Made in Japan variations, where contemporary Japanese culture is paired with traditional motifs, such as Manga fighting girls with Bonsai trees, plus of course the title draws our attention to Japan's history as leader in consumerism and marketing.
Harry Hummerston's graphic style is drawn from his background as a master print-maker, and his fascination for form and shape from his experience as a sculptor. His artworks can be found in over 45 major collections including the Art Gallery of WA, National Gallery of Victoria, Artbank, National Gallery of Thailand, Wesfarmers, Kerry Stokes and Holmes a Court Collections, numerous council collections, Deakin University, RMIT and the University of WA.
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