Anna Nazzari’s new work, Night Mare, is a ten pin bowling game in which the pins consist of brightly glowing mares rearing up.
In this game, Nazzari plays with the etymology of the term “nightmare.” Historically a nightmare was not a female horse but understood to be an incubus or succubus that induced feelings of suffocation by riding or sitting on the chests of sleeping people. In Ernest Jones’ book, On the Nightmare, he suggested that the collective imagination linked the term “nightmare” to a female horse through mythology, folklore and superstition. In this fictional domain, the “rich sexual symbolism of the horse. . . is connected point by point with the corresponding myths of the night fiend” (Schreier Rupprecht 1993, p.50). Thus, the demon is absorbed into the imaginings of the mare. Nazzari’s game evokes the idea of nightmare through literal but humorous representations of Night Mares and also through the act of playing a game that is a nightmare to win.
This work will be supported by past works Arc de Triomphe and Toute le Monde Gagne as well as a series of photographs that literally represent nightmare superstitions.
All digital images are unique editions and prices are for framed works.
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