Clare McFarlane has been exhibiting with Turner Galleries for several years now, starting in 2002 when we were The Church Gallery.
Each exhibition has been a resounding success with public collections, such as Artbank, the Cruthers Collection and the City of Perth, acquiring her work.
Clare has titled, and themed, her exhibition on The enlightenment project. The Enlightenment, or Age of Enlightenment, is usually cited as a time in which science and reason, as opposed to authority and superstition, were held to be the answer to understanding the world and improving human life in the eighteenth century. This is physically represented in her works with decorative backgrounds, usually the designs of Englishman William Morris, superimposed with highly detailed Australian insects, birds or flora.
Clare states that a “sensitivity to nature, it’s appreciation and reverence is a large influence on my practice, as is a delight in beauty and sadness at its fragility.” “I often paint solitary or broken creatures, searching for the poetry in their form.”
One multi-panelled work is a periodic table of butterflies. The 42 small panels represent different elements in the periodic table and are decorated with butterflies. Clare realised that, like much of science, the periodic table is a creation that is imposed on nature to aid our understanding of it. This is a poetic and lyrical expression of the elements.
Ideas of light and atmospheric colour have also influenced this show. The blinding yellow of the sun, the deepest violet of night, the blue of a brightly lit sky and the orange of a sunset, all appear.
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